Monday, 12 May 2014
Someone asked how we decide on names for the characters in our novels. This is Oliver, my younger grandson. In my latest novel (not quite complete) Oliver is the name of a pilot. My elder grandson - four this year - is called Henry. Henry is also the name of a pilot in one of my American stories. Henry's father is called Douglas Niall. Dougie Nyle is the name of the co-pilot in my thriller novel, Prestwick. So, what's the problem? Names are all around us.
Saturday, 26 April 2014
Creating Imagery
It’s all about imagery. Years ago I
used to paint pictures with oils. Today I paint pictures with words, and I
create the images in much the same way I created the paintings. I start with a
broad brush and block in a rough outline. Then I begin to flesh out the
important aspects of the image. I leave it there until the first draft is complete.
Then I go back to the start, I take up my small brushes and concentrate on the
detail.
I’m
now working on the second off my WW1 novels. The first one – In Foreign Fields -
is already published. http://www.thenovelsofdavidhough.com/in-foreign-fields.html
This is a scene from the second book. Lieutenant
DeBoise is on the front line at the First Battle of Ypres. I’ll leave it like
this until the first draft of the novel is complete, and then I’ll start the
edit process. The detail will grow under editing, but the basis of the
narrative will remain.
Daylight filled the sky when the
cacophony of noise stopped. All along the line, men ceased their endeavours and
looked up. Even RSM MacRapper seemed momentarily taken aback by the sudden
silence.
“Listen. D’ye hear that, sir?” Donohoe
tipped back the peak of his cap. “What’s happening?”
An overwhelming silence filled the air
as DeBoise risked a peek over the trench ridge. Nothing moved, and not even
birdsong marred the peace of the autumn morning.
“I don’t like it, Billy.” DeBoise slid
back down into cover and looked along the line.
The Highlanders stopped digging and
eyed one another warily. A low murmur began to creep along the trench.
“Pick up yer guns, lads.” MacRapper’s
voice echoed along the trench. He sounded calm now, as if he knew what was to
come and he was ready for it. “The bastard Hun will be coming soon. I feel it
in me water. They’ll be expecting a weakness in the line here, but we’ll show
them how a Highland regiment fights.” He raised his bolt-action Lee Enfield and
felt in his pack for ammunition.
“There they are!” A lone voice rang out
from the end of the line.
DeBoise peered again over the top of
the trench. He flinched and grasped his Webley pistol tighter. The enemy were far
off, but they were advancing towards the Highlanders. A hoard of grey uniforms
emerged from the mist, hundreds of them, seemingly showing no hesitation.
“Stand to! With ten rounds, load!” An
authoritative voice came echoing through the haze. It had to be an officer’s
voice, firm and decisive with an educated accent. All along the line, the men
stood to and pressed the first five rounds into their magazines. The voice
continued with no sign of hesitancy. “Load carefully. Don’t rush it.” The
second five rounds were loaded and then the bolts pushed the top round into the
chamber.
“Safety catches off! Look to! Watch
your front!”
The enemy were getting close now,
almost within target range, but the regiment held their fire. DeBoise realised
he was holding his breath. He tried to breathe normally.
“Now, lads! Now!” MacRapper didn’t wait
for the officer’s voice to give the order. “At six hundred yards… independent
fire! Let the bastards have it, lads!” He leaned forward against the side of
the trench and began to shoot.
DeBoise saw two German soldiers fall in
quick succession. The Highlanders raked the enemy line with rapid fire, picking
off targets as they came into range. Some men fell in quick succession as the
machine gun was brought into play. Others fell one by one. The Scottish
riflemen worked their bolts with precision, firing off one round in each four
seconds or less. The empty brass cases soon littered the floor of the trench.
The German officers waved their swords
to urge their men forward, but the formation was breaking as man after man fell
dead on the ground. The lucky ones were now only three hundred yards away.
“Sights down, lads! Carry on firing,
and hold fast!” MacRapper shouted even as he fired. And, all along the line,
other guns continued to spit out a lethal barrage.
Donohoe fired rapidly and then drew
back to reload. “D’ye know how many soldiers the Hun army has, sir?” He pulled
more bullets from his kit.
“Seven million,” DeBoise replied. He carefully
aimed his Webley at an advancing German, pulled the trigger and watched the man
crumple to the ground. “Less one,” he added.
Donohoe took aim again. “Jaysus, seven
million, d’ye say? Reckon the whole bloody Hun army is after our blood right
now.”
“Shut up and keep firing, Billy.”
There was no concept of time. The
attack could have lasted a minute, an hour, or a day. DeBoise loaded and fired,
loaded and fired and concentrated solely on making each shot count. He knew he
was killing people, but the morality of it was lost behind the essential will
to stay alive. The noise became a background blur, the grey-uniformed enemy
kept advancing, and yet they seemed never to get any closer to the trench. As
fast as they came forward, so they were mown down by the withering fire of the
machine gun and the Highlanders’ rifles. The killing became a routine.
Sometime in the conflict - DeBoise had
no concept of when - British artillery began a murderous response to the German
attack. Crests of flame and fire appeared and disappeared amongst the German
troops. Brown and grey crumples of mud rose up like ghosts from out of the
uneven ground. The mist remained, or was it smoke? A line of naked trees was
silhouetted on the horizon, like ethereal ghosts with their thin arms caught
rigid in the throes of death. Behind them, a dirty grey sky was splattered with
bursting shells, fiery rings quickly turning to black smudges.
Figures continued emerging from the
smoky mist. DeBoise no longer thought of them as real people. They were grey,
shadowy visitors from hell, dancing against the grey background. As exploding
shells burst behind them they grew wings, yellow for a second and then grey as
the flames died and turned to smoke. Then they became flying devils. They flew
forwards with their arms spread wide in front of the grey, smudgy wings, and
they fell onto the rippling, rumpling mud and were gobbled up by the hellish brown
sludge. They were lost forever, quickly replaced by more shadowy figures, more
grey devils from hell.
The noise continued. It was not
consistent, but varying between sharp jolts of rifle fire and the booming
background of the artillery barrage. The flying devils seemed somehow detached
from the noise. They appeared, they flew, they fell. Behind them, the misty
background spawned yet more to take their place. More brief yellow bursts of
flames were followed by more splodges of dirty smoke, and more devilish Huns
with grey uniforms, grey helmets and grey faces.
It wasn’t real, DeBoise tried to tell
himself as he reloaded and fired again and again. How could all this possibly
be real? Real meant human flesh and blood being ripped apart. Real meant people
suffering. This had to be an illusion. It would stop in a moment and he would
wake up.
But it didn’t stop.
Each shot from his pistol sent another
enemy soldier to his death. Each artillery shell explosion sent more devils
with wings flying through the stinking air. And then one figure, a lone German
soldier, appeared out of the mist only ten yards in front of him, screaming as
he ran. DeBoise fired automatically and the soldier crumpled to the ground.
It wasn’t real.
It was wrong, very wrong, but it wasn’t
happening to him.
Thursday, 17 April 2014
Audio books
I have just signed contracts with my publisher for my novel, Prestwick, to be made into an audio book. Next step is to list all the characters and their accents. There's quite a range of accents in that book. Should be fun for the narrator. I must say I am impressed by the way Cloudberry Books, a small independent press, are handling my books. They are the first to negotiate an audio book contract for me.
Tuesday, 8 April 2014
Time Scales
I have
yet to work out why I am able to increase tension within a novel by keeping the
overall timescale short.
I limited
‘In Foreign Fields’ to a short period after the Battle of Mons, August 1914. ‘In
Line of Fire’ is the second book in the series and I have kept the timeline
entirely within October 1914. It was a busy period, covering the siege of
Antwerp and the First Battle for Ypres. Plenty to keep Wendel and DeBoise up to
their eyes in active conflict.
I enjoyed
reading ‘Birdsong’ but the timeline was much longer than I have used in my WW1
novels and, to my mind, that watered down the tension. I wonder if any other
novelists have noticed that.
When
writing my thriller, ‘Prestwick’, I kept everything within the period of a
flight from New York to Scotland and that enabled me to really ratch up the
tension, but that’s not a historical novel. Maybe, when I tackle another in the
WW1 series, I’ll have to put Wendel and DeBoise into a situation that must be
resolved in twenty four hours.
Sunday, 6 April 2014
The Manuscript is Going to Work
“In Line
of Fire” will be the sequel to my WW1 novel, “In Foreign Fields”. I am now
fifty thousand words into the first draft. I’ve reached that “Wow!” point which
I assume all novelists experience when they realise that the novel is actually going
to work rather well. All the previous effort is going to pay off. There’s a lot
more to do, even before I start editing, but I am happy that it’s going to be
worthwhile. It makes the writing off the later chapters a work of pure pleasure
and excitement. Isn’t this one of the reasons why we write?
Friday, 4 April 2014
A New Review
I have had some very encouraging reviews for my books on Amazon, especially for "Prestwick". This is the latest.
I was absolutely spellbound by D.Houghs work, spent my last night burning the midnight oil to finish the book- no wonder David's readers want to make it into a movie.
Come on you directors and producers you must give this book a read
Having worked on an AOG desk for a major airline... company in the past, I have come to see the reality of the work D. H has produced here. His knowledge of ATC and commercial aviation has made this work a masterpiece in aviation incidents.
The space shuttle to land at Preswick! What an experience that would have been to any observer, albeit rather risky But Achievable.
Congratulations David a great read. Cannot wait for your next aviation book.
It would be very nice if a film company did take notice.
I was absolutely spellbound by D.Houghs work, spent my last night burning the midnight oil to finish the book- no wonder David's readers want to make it into a movie.
Come on you directors and producers you must give this book a read
Having worked on an AOG desk for a major airline... company in the past, I have come to see the reality of the work D. H has produced here. His knowledge of ATC and commercial aviation has made this work a masterpiece in aviation incidents.
The space shuttle to land at Preswick! What an experience that would have been to any observer, albeit rather risky But Achievable.
Congratulations David a great read. Cannot wait for your next aviation book.
It would be very nice if a film company did take notice.
Saturday, 22 March 2014
Why Do I Write Books?
Why do I write books? Why do I spend hours at
my computer creating lengthy stories? Today I like to see my books sell, as
does any self-respecting writer, but that wasn’t the reason I started out as a
writer.
It all started in my mortgage-paying days,
when I was an air traffic controller. As high-pressure jobs go, it ranks well
up the ladder. If a top brain surgeon makes one mistake, one patient could die.
If an air traffic controller makes one mistake, a thousand people could die. It
makes your eyes water just to think about it. I have worked alongside
controllers who succumbed to stress-related illness or alcoholism before they
reached the mid-point of their careers. I have worked alongside colleagues
under pressure who died of a heart attack before they collected their pension.
My method of coping with the tensions of the
job was—to start with—the relaxing pleasure of painting pictures. After a
gruelling period on watch, I would settle down at an easel and quietly paint
away my stress. No one suggested or expected I should make money out of it.
They recognised that I did it simply for the calm recreation it afforded me.
Later, I took to writing for the same reason. Instead of creating pictures in oils,
I created them in words. And it worked for me as a way of wiping away the bad
after-effects of the job. I’ve had a love of books from my childhood so maybe
it was a natural step for me to move from painting to writing.
Today, when the pressures of ATC are behind
me, I can concentrate on writing books that will sell. But that’s not how the
whole thing started.
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